composition & musicology
Brian Hulse, chair |
Assistant Professor of music theory and composition at the College of William & Mary • Degrees from Harvard University (Ph.D.) and University of Illinois (MM) • Studies with Mario Davidovsky, Bernard Rands, Andrew Imbrie, Salvatore Martirano, and Morris Rosenzweig |
Professor at Istituto Civico Musicale Vittadini • Composition Diploma from the Conservatory "G. Verdi" of Milan under Mario Garuti • Master classes and courses with Paul Glass, Ugo Nastrucci, H. Lachenmann, E. Brusa, G. Manca, A. Smirnov, G. Giuliano, J. Casken and J. Weir |
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Professor of Music History and Theory, SUNY Stony Brook (NY) • Research focuses on the most recent musical practices in North America and Europe, utilizing concepts and methodologies from post-phenomenological and post-structuralist thought • Published in Perspectives of New Music, American Music, The Journal of the International Alliance for Women in Music, Current Musicology, Theory and Practice |
performance
Tony Arnold, soprano |
Assistant Professor, University at Buffalo • Degrees from Northwestern University (MM) • First Prizes, Gaudeamus International Interpreters Competition 2001, Louise D. McMahon International Music Competition • Recordings on Bridge Records and Naxos |
Avi Avital, mandolin |
Degrees from Jerusalem Music Academy, Conseratorio Cesare Pollini of Padova • Soloist under Mastislav Rostropovitch, Asher Fisch, Philip Entremont • Master classes at Schola Cantorum Basiliensis in Basel, Stanfor University, Conservatorio “Giuseppe Verdi” in Milan, Juilliard School of Music • Recordings on Sony Classical, Mode Records |
Lisa Cella, flute |
Assistant Professor, University of Maryland Baltimore County • Degrees from University of California, San Diego (DMA), Peabody Institute of Johns Hopkins University (MM) • Studies with John Fonville, Robert Willoughby, John Oberbrunner |
Aaron Engebreth, baritone |
Co-Founder, Florestan Recital Project • Current Residencies at the Boston Conservatory, and Dickenson College • Soloist at the Tanglewood Music Festival, Ravinia Music Festival • Recordings on Chandos, Arsis, and Florestan Labels |
Matt Gould, guitar |
Director of Guitar Ensemble and Chamber Music studies with guitar at Arizona State University • Degrees from ASU (DMA), University of Arizona (MM), Peabody Institute of Johns Hopkins University (BM) • Studies with Manuel Barrueco, Frank Koonce |
Joe Dan Harper, tenor |
Co-Founder, Florestan Recital Project • Current Residencies at the Boston Conservatory, and Dickenson College • Soloist under Seiji Ozawa, Robert Spano, Tan Dun • Scholarship includes Fulbright Fellowship to the Staatliche Hochschule für Musik in Mannheim, Germany; Fellowships at Tanglewood and Ravinia festivals • Recordings on Arsis and Capstone Records |
Aiyun Huang, percussion |
Professor, McGill University (CA) • Degrees from University of California, San Diego (DMA), Conservatoire Nationale de Region de Rueil-Malmaison (Premier Prix) • First Prize, 2002 Geneva International Music Competition • Recordings on Tzadik Disc and Mode Records |
Thomas Rosenkranz, piano |
Assistant Professor, Bowling Green State University • Degrees from Eastman School of Music (DMA, MM, Performer’s Certificate) • Studies with Robert Shannon, Nelita True, Yvonne Loriod-Messiaen • Artist Ambassador sponsored by the State Department of the United States • Recipient of the Classical Fellowship Award by the American Pianists Association, 2003 |
Beth Schneider, violin |
Degrees from University of Arizona (MM), Indiana University, Bloomington (BM) • Studies with Linda Cerone, Victor Danchenko, Eugene Gratovich, Conny Kiradjieff, Andreas Reiner, Mark Rush, Nelli Shkoinikova • Performances with Lynn Harrell, Yefim Bronfman |
